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(36) 历史:第15篇(舞蹈)---难度级别:$$$半) h/ K8 I" L; @; U( ~* i
So why did (what id now) called “modern dance” begin in the United States? To begin to answer this question, I`ll need to (backtrack走回头路;放弃或改变主意) a little bit and talk about classical <ballet>.
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By the late 1800`s, ballet has lost a lot of (its) popularity. Most of the ballet (dancers who) performed in the United States were (brought over) from Eurpoe. They performed using the (rigid死板的;坚硬的) techniques thathad (been passed) done through the centuries. <Audiences> and dancers in the United States were eager for their own, “contemporary”当代的,现代的 dance form. And, so, around 1900, dancers created one.5 _- l4 E% s$ Y: R- T; P! v
% n. c7 U8 |. O: @ rSo, how was this modern dance so difference from classical ballet? (Well, most notably尤其重要的;引人注意的), it wasn`t carefully (choreographed<v.>编舞). Instead, the dance depended on (improvisation<n.>即兴创作、朗诵、表演) and free, personal expression of the dancers. Music and (scenery剧院布景) were (of) little importance to the “modern” dance---and (lightness轻盈) (of movement) wasn`t important either. In fact, modern dancers made (no attempt) at all to conceal the (effort involved in a) dance step. + [3 b" F) M, X0 x
* l/ c) L' p8 xBut even if improvisation appealed to audiences, many dancer (critics批评家) were less than (enthusiastic热情的,感兴趣的) about the performances. They questioned the <artistic> (integrity(艺术家、专业人员的)诚实) of dancers (who) were not professionally trained and the artistic value of (works that) have no formal structure. Loie Fuller, after performing Fire Dance, was described (as) doing little more than (turning) “round and round like (an eggbeater鸡蛋搅拌器)”. Yet, the free, personal expression (of the) pioneer dancers is (the basis of) the “controlled (of) freedom” modern dance today.7 p1 p& V% k, n2 L7 `! d3 W
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(37) 历史:第17篇(comics连环漫画(书) book)---难度级别:$$$$ 后3段好难!
$ M6 D8 k9 N- {8 v U6 ]/ N2 L6 INow let`s <focus> on comics in 1950`s. Early in the decade sales were (down), so publishers (started) looking for some new angle (to get their readers interested) again. They found what they were looking for was(with) horrible(horror<n.>恐怖(故事)) comics--- stories about (ghosts) and steam (demons恶鬼;魔鬼) that were often (graphically清晰的,生动的;用图表表示地) violent.+ ]: k5 i" O9 G$ X1 M
/ Z$ x. X8 i6 w Y. Q5 R# RBefore long, most of the major publishers were printing horror comics---but (it all) came (to an) end (a) few years later. You see, there was a <psychologist心理学家> named Frederic Wertham (who claimed) that comic books---the horror books (in) particular---were (a) bad influence on children and turned them into jup?(juvenile 少年的delinquents违法者,行为出格的人(尤指年轻人)). (Wertham even wrote) a book called (Seduction引诱;诱惑力 of the Innocent幼稚的人,无经验者 that showed specific scenes from comics that he thought were a) particularly bad influence on kids.
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5 V3 j0 \3 J/ F1 j0 O6 QWertham wasn`t the only one (down) on comic. The United States (Senate上议院;某些大学评论会;理事会 Subcommittee小组委员会on) Juvenile Delinquency also released (a report) very critical (of) comics. The result of (all this fuss<n.>焦虑,操心;过分关怀) was (the) creation of (the Comics Code Authority) in 1955.
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8 l5 L c( j+ C2 }This is a (self-censoring审查) body created by the publishers. Essentially, (for a comic book to be approved) by the code, (it had to be free of the blood and gore凝固的血) that was usually (depicted in) most horror comics, and evil恶行 could never (triumph战胜) (over good). Children had to be shown that (crime) did not pay./ K h& e5 H B
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Well, if comic sales were bad in 1950, things got even worse in 1955. Many small publishers <actually> (went out of)business. But the industry (rebounded反弹,弹回) by introducing a new (lineup阵容) of superheroes, characters like (Spider-Man) and the (Fantastic) Four. Now I`ve brought with me today some comic books from this (era时代;历史时期) to pass around. They`re from my own personal collection, so please (be extra) careful when (handling触摸,拿;搬动) them.
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语音识别9:& J" q7 G. d, J1 N0 J
眼睛、耳朵都不认识的词:7 d! i) X: M5 O4 v' I+ h
Trait 特征,特性
' [* @/ i5 c& N- ~, k4 N! H; jApe 猿,类人猿
, O) {- D* }1 N6 Z' C4 r# B1 S1 dUptight 紧张不安的,忧虑的
7 c6 y+ y# b- L5 QTecture 质地,结构
3 @/ N8 }! V+ x9 j# v8 pMystery 谜,神秘的,难以理解的事情
$ p9 b: @: O3 r; A' |8 CHeredity 遗传$ H" v- x1 |3 a7 E* E
Intermediate 中间的
: A8 I9 i K" d% {- \- EManipulate <v> 操作,使用,利用- a: x+ M. ^; f5 c" a. h% t& o
7 g0 \; o0 i. t1 j3 f耳朵不认识的词:
' o9 }9 O+ |$ G4 ?/ F5 T9 V. d7 CGenetics 遗传学3 v! h/ g: k+ Y
Carry out 实行
6 v- u7 j% O" xInherit 继承7 {3 N1 z: G; p/ ^$ l
Mate 交配
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' Q( M" i# g! ?9 p! X: s" d) _7 D拼错的词:# H5 _' Y: v. t
Variety. z, Y# V3 `, C' `$ ?
phenomenon
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[ 本帖最后由 穗棉布族 于 2008-5-12 16:24 编辑 ]
never never never lose yourself......