不错不错~~~谁叫你总消失的~~~~
! B! j4 u- G6 @6 @为什么给我加金币的时候没有这么大方的呢~~~~

引用:

原帖由 棉花糖落落 于 2008-7-11 13:31 发表 ! J. \3 o8 P/ A7 y1 e0 i
不错不错~~~谁叫你总消失的~~~~
, J* x0 @! z! b$ e9 q为什么给我加金币的时候没有这么大方的呢~~~~

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哈哈，这个是按一篇听写稿10金币的喔

原来这个样子呀~~~

海边~~还在海边泡着呢~~~~
: S+ a% r, ~: j6 u' ?我说布丁~~~你就在海里吐泡也得记着吐英语~~~~
5 u4 p6 @. `5 o4 a  W加油吧~~~~+ F, s; H. l, R

你很不乖~~~一直都没来

我很乖的来补我的听力笔记~0 ]1 H6 T" @+ Q) Z* ^
我已经对我贪图玩乐的万恶行为反省过了~
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3. BBC CD AD
; d5 ?3 Y0 D; h0 D; FListen to a talk given by a professor of meteorology(气象学)., r9 n1 [  q7 n8 O2 k
First of all, let’s look at why temperatures tend to be higher in city than in the rural area. This happens because almost 50 percent of the urban areas are comprised（构成）& ?" z( a0 G4 P5 `9 T* K
of hard surfaces like paved（铺砌）street, parking lot, buildings and roof tops(屋顶). As a result, any amount of rainfall is quickly repelled（排出） by this service and carried away by storm drains(排) and gutters(沟). Especially water just doesn’t% z% i4 ~2 d8 Q* y* r; b
have the chance to stand around until evaporate(蒸发) and
/ ^# P" t) V3 i9 A# a9 V: l6 d+ Y& _during the process of3 z! m$ D! v6 [- z' {+ ^
the evaporation that heat is removed' p- x, {2 v9 B# s
from the air. So in cities where there is less evaporation temperatures will be higher and of course there are also be issue of added heat coming form building heating system form industry, cars and even human body. Even we being in the city itself, temperatures can vary significantly. For example in winter, streets that get a lot of use will be 2 or 3 degree warmer than less travel street. In place where car sits for while like a stoplight can be in another 3 degrees warmer. On the other hand, low spots in the city where cold air collect will be much colder than higher place. Rain and snowfall are also affected by urbanization. Cities tend to get quiet less snowfall than the surrounding countryside because of warmer temperature in the city. But rainfall in the city can be 5 to 10 percent higher. That happens because of two factors. First, the warmer city temperature; second, the large number of dust particles in the urban air. It seems dust particles are important requirement for condensation. The water vapor(气态) in the atmosphere（大气） is able to change to liquid by planning to dust particles suspended in the air. So where there’s the higher number of dust particles, condensation
" h2 r* F" L; ~# ztake place more easily. That’s- U4 r' L* N. m# Q, K
Why fogs and clouds are usually more frequent around the city. Once condensation takes place the rainfall is not far behind. In the London area, for example, thunder storm can produce 30 percent more rain fall than the surrounding country side. Some urban climatologists go so far as they argue than they can see a pattern increasing the rainfall during the workweek. They believe rainfall amounts are small around the weekend the dust particle generated by cars and factories are reduced.
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; m$ i: S0 w% Y# OListen to the talk in the geology class.
2 l$ H7 C# n- b; p# H5 {I often hear my friends say that the days pass much more quickly than they use to. But geologically speaking just the opposite is true. In fact, a complete day which now lasts 24 hours actually used to be much shorter only about 18. How do we know that? Because of a number of finally strata（地层）
- D  E8 ?2 h4 y8 l+ T! Xrocks like these. Rock form belong ancient shorelines almost billion years ago. The tiny lines of these samples show us layer of light and dark formed by dust blown over the shoreline(海岸线)
* p/ ?4 i4 o/ e9 Qform the landsite. Alternating(交替)" }' E4 ?# X5 |7 [, _2 s
was the6 Q) M. {0 z3 e
mud（泥土） and sand deposited（淤积）by the waves. So the space between one dark strata and the next emphases of the time between on month high tide(潮汐) and the next. And very in fitness of layer show us the circle of the season as well. Together the data indicate there were fewer months for year way back (很久以前)then. That means that the moon was moving more slowly than as it revolved(旋转) around the earth. So what caused the moon do speed up so much over the last billion years? It must be the tides. Think about it. As the gravity(引力) of moon pull on（影响） the oceans to form the tides, all that water is also putting on the moon and with each rotation(旋转) it makes the moon move a tiny bit faster. At the same time, like the brakes(闸) on the wheel of bicycle, the drag（引力）caused by the moon’s gravity makes the earth turn just a tiny bit slower. And so after a billion years or so, one rotation meaning one day takes a lot of longer than it once did.4 m+ ]* Y2 j8 `, R, j$ T& l& W1 z- y

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海边真的很好啊~很凉爽啊~
+ ]) Z; b9 J2 |% j" L, ^$ u$ U海鲜也很美味啊~~真的~~！！真的~！！
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1. Listen to a conversation about architecture class.
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Interesting lecture today, didn’t you think?
9 G! R1 L; ~7 ^Well, I supposed. But I have
0 a: N  G& k- M- `, |+ \never heard of the Bauhaus
! l  J, W7 J) O, P+ q' D5 R2 ]* dand I’m not clear on something. Was it some place you should go to or it was more the young or movement some XX sort you know like brook impressionism.
6 V4 O( b) C8 j1 S8 p- z! |7 M9 I7 CNo, it was an actual design school located in Germany, founded by Walter Gropius. His goal was to combine technical skill and artist talent and by doing this create a new form of architecture and the plight arts.& x$ @. O% h) W
Ok, so that explained what professor mentioned how certain people had studied with both a craft person and an artist.7 I1 o; y: ?" \$ }
Right. Before anybody could actually begin their former training, they had to take workshops that were taught by both a craft person who emphasize technical expertise and an artist.7 I; W' ^; p) a, q# V8 ]2 c
Interesting.
" ^4 a, {0 {3 `9 ^" GAnd the Bauhaus founders also deported from the notion of arts being of a former of a luxury object. They want to produce functional art to be enjoyed by everybody, not just the wealthy.# L8 \  U# ~& s
Weren’t they making some sort of social statement?
# k! L  z! @% OPerhaps. I don’t know, but it did mean that Bauhaus’s creation had their own artistic beauty. And that instead of being individually handcraft like something you see in, I don’t know. Garth Cathedral they were produced by machines in large quantities.
' u' Y. J* }( U, n  ?Is Bauhaus still around?
; c4 }, R5 P. W0 s* j& C3 ?I don’t thing so. But judging by the amount of time on our class schedule, that were going to be devoting to it. It’s a fact that must be left it.
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8 ?! f" d5 M2 s0 h% D( `2 G. }# |/ HListen to two students discuss the architect Albert Kahn4 Q- J: K, m/ j- x' ?
Didn’t you write a paper about Albert Kahn last semester?9 |! i& y, q0 t. ?
Yes, for my history of architecture class.
8 B8 [. N# Q4 K0 DOh, I am taking it now and I have got to do some researches on industrial architecture. I need to read up on Kahn’s factory, so I’d like to see what you wrote about them.8 d6 ]% r; ^; U6 y) v9 P% X/ u* V
I don’t think my paper will help, I focus on his classical designs, like the Clements library and his office buildings but you are interesting in the modern building he is famous for.
/ {( v6 \8 {; bYes, he is best known for his factory, especially the auto plants in Detroit. He made a breakthrough in industrial design. You know before his time, factories were so cramped and inefficient but his factory provide enough light and air and open spaces. So the cars could be assembled in one huge plant.' k3 c2 H0 c+ z5 m# n' D2 z" H5 H
I remember reading that the factories used to have wooden frames- P# M6 R  a9 Z
and the heavy machines made the building vibrate and there were fire-hazards too. But when Kahn started designing auto plants around the turn of the century, reinforced concrete had just been invented. Talk about breakthroughs, not only was the building sturdy and fireproof but they were cheap to put up too.
. p8 _; `4 d9 f1 @# ?6 rYou seem to know a lot of about his industrial career.
! n0 B2 |! f4 n1 v3 IActually even through I wrote about his other works, I did a lot of background reading. Let me see if I can dig out that paper for you. There were some books and articles included my bibliography but you might want to look up at the library.
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我不来是有原因的~- c& Q$ O2 U" n. j' ^2 [
海边很舒适~% v$ t* x) B5 H3 g* L4 g
回来很不适~% J, H0 E+ s4 P0 n
我拉肚子来着~$ c5 [- e  i0 `4 u* q3 p& r
然后我又不幸的发现
9 z( A; g3 g% ]( k1 I  O我的嗓子不能说话了~
  `5 `4 M  d; ~7 A我真心的忏悔过了~7 h# c7 x0 A5 t; X! ~
7.22
: t  p- }  z- i3 T3. Listen to a part of conversation between two students.& W$ B- O3 f, x) n
So, one of the thing that I really have in trouble understanding is how jazz music developed to be so different from many other kinds of music. My class notes are terrible
# b# c' _9 w! X7 u' a4 cWell, what can’t you understand from your notes?/ I( q$ H! V$ ^9 n8 Q
Un, one thing is I copy down the musical training from the blackboard, what did it mean by that?7 l5 P; S- ^0 m
Well, most people who become professional musicians to have some kind of formal training in music but the first people who play jazz music had almost none( w1 S8 c, _. h! y6 s" k
Ok. But so what? Doesn’t it just mean that they weren’t very good musicians?
$ Z( }1 p, e0 O3 l% V; i& z8 vWell, that’s not that the early jazz musicians weren’t good. It’s they that play their instrument differently. Let’s say you are receiving formal instruction in the trumpet. First you would learn the right way to place your mouth and the right way to use your fingers and right way to blow air and then you will practice single notes and different combination of notes until you could do
# C) F. |+ ?0 ^+ F/ nthose correctly and only after that which your teacher give you a piece of music to play.
: C: i& X6 ~6 y9 ]$ FAnd the early jazz musician didn’t learn to play this way?
. R( x1 p+ Z6 Y3 h5 LNo, the first people who play jazz music learn to play their instrument by actually trying to play a song they like. They were humanity and tried to play themselves on their instrument. Because they were mostly teaching themselves, they began to express themselves in ways that formally traditionally trained musician didn’t. In traditional instruction there’s one correct way to play something and everyone who plays try to make the correct sound. But in jazz
2 N' Y/ [) Q+ [. r8 r' uIn jazz music, there isn’t one right way to play. In fact, individual musicians are supposed to interpret the music in their own style. So you are saying that this aspect of jazz developed because the first people who play jazz didn’t have any formal music training? / I, j3 X1 Z$ y5 Y7 n3 ~# X) p
Well, that’s part of it but there is more. What else you have in your notes?
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6 ?9 l' r6 I' Y8 `) R4. Listen to a professor gives a lecture in a music history class.6 y" [8 c$ l7 s! o2 Y
To continue our study of jazz, today we will focus on the blues and listen to some recordings by Bessie Smith who is considered by many to be greatest of all jazz singers. The blues developed in the southern united states from the music of black people who were brought from Africa( W! U9 l1 n$ O- `8 _. f
and forced to work as slaves on southern plantations. The earliest form of the blues was work song and field howlers that musical form of communication among slaves. The name “blues” comes from the loneliness and sorrow typically expressed in the song lyrics. The blues started out as strictly vocal but over time musicians began to accompany blues singers. Jazz greats like Louis Armstrong and in Francis Andersen accompanied Bessie Smith in her recordings. The example of blues we will hear today is the reissue of some of Bessie smith’s classical recordings. These songs are from the late 1920’s when she was at the peak of her career. It’s no wonder she was know as the emperor of the blues. She made 160 recordings and was also a sort after live performer in the New York, Boston and Chicago as well as the larger cities in the south. Know her rich powerful contract her voice, In fact, in live performances she refused to use microphone. Bessie smith’s songs typified the earthiness and realism of the blues.
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终于来了~~~~~~~
# n' y$ b0 X* N- r; q% f哼哼·~~~~~~~~~意识到错误了吧~~~~~~~~~~ $ [& }. E, N2 _/ V2 v+ H
亲，你以后写的时候加上题目~~嘎嘎

我是小受~啊~~~！！！
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7.23
2 |+ E# J6 j' W) v9 x5. Listen to the talk in a music history course.' t' n6 Z- x" {3 w* g
Good morning, today we’re going to learn a little more about that great musical tradition called the blues. And in just a minute, we will get to hear the voice of a great blues performer, one of mile time famous singers and that is Bessie smith. First of all, let’s me tell you talk a little about her, Bessie smith grew up in the south in Tennessee, and while she was still a teenager, she stared touring the country with other black performers and making a name for herself. By 1923, she was making records for a major recording studio and selling hundreds of thousands of copies. And soon, she was singing at sold out performances at theaters in city after city with huge overflow crowds outside, often filling with the street and blocking the traffic. It was really something. A couple of years later, she and Great Louis Armstrong made an unforgettable recording of the St. Louis blues. And a few years after that, St. Louis blues was also the name of Bessie smith’s only movie, one of the very early talking pictures. Try to see it some time if you can. From then, up until her death, Bessie smith kept on writing and recording songs and singing the blues in concerts all over the country, all together she made 160 records. We are going to play one of them now and as well do, please listen to the passion of that wonderful deep voice of hers. I think you’ll able to understand why Louis Armstrong said Bessie Smith: she had music in her soul./ G0 Z9 a! e% k% ]7 f4 @5 C3 t' y" q
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6. Listen to the part of a lecture of in the United States history class.
) D! M! h4 o8 x: M7 v+ G4 T6 ~Today we are going to look at ways in which legislation(法律) can create practical problems, which in turn lead to inventions to solve these problems. You’ll recall that the home state act at 1862 granted a hundred sixty acre plots to settlers. This resulted in considerable population growth in the western plains. In that same years the construction of transcontinental railroad was set up by the pacific railroad act. These 2 pieces of legislation made it necessary for ranchers to limit the movement of their cattle instead of them roam freely. There weren’t many trees or rocks to use for the fencing material so planting hedges was tried but they took a long time to grow. Smooth organized wire fences were another idea but they were not strong enough. Finally inspired by the reaction of the sharp thorns on vegetation, a new fencing was invented-barbs, sharp; wire points like thorns were twisted onto wire fencing. No everyone accepted the invention right away, Texas were resistance until a young sale man staged the dramatic demonstration. He put up a career of the new barbed wire and challenge cattle owner to put their wildest animals in it. Untrusting spectators kept their distance as the cattle were driven into the enclosure. The animals charge the fence look quickly retreated. Texas$ x% x4 d/ v1 M* ]" B! H8 r' S3 h$ J
was sold and the new fencing soon became common throughout the plains.
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